It was a big night for Culver City last Saturday. Every gallery opened with their first show’s of the year, and there were more than a few that are worth checking out.
Brian Bress:Under Performing at Cherry and Martin - bit.ly/yDBMmt

Loved this show. I’m not usually big on video, but I’ve been finding recently, that people are just making better and better motion pieces. There is a full length video, which I didn’t stay for (too many people to say hi to, too much art to see), though I was really drawn to the eight video portraits presented. ”In these pieces the viewer is asked to think about the structure of language and the picture plane’s inherent assumptions about space as constructed in painting as well as theater.” He plays with the 2-dimensional plane in a few pieces, as well as obstruction and abstraction in others. The way he presented the subjects in the portraits seemed to be done with a bit of a cheeky bent lending a bit of playfulness to these videos, by constructing clothes and faceless heads out of what I imagined to be foam.
Glen Kaino:Bring Me The Hands of Piri Reis at Honor Fraser - bit.ly/Aj1nxR

Photo by Christopher Dibble
This is a great show because you can walk into the gallery and see a whole bunch of different pieces constructed in different mediums, and appreciate the show without knowing a thing. It’s able to exist as pure eye candy, but if you take a moment and read about the show, like a map, you’ll see just where Kaino is taking you. Quite fitting as he’s taken on the role of cartographer, architect and boat builder all inspired by Turkish pirate Piri Reis. I was most drawn to the cityscapes using pins and golden model kit pieces. Perhaps it was because they were shiny, gold, and organized? ”Conceptual kitbashing” is how LA Based artist Glen Kaino conceives this work, essentially bashing model kits and creating large scale ”pin drawings.”
Robb Putman:Castoffs at Walter Maciel Gallery - bit.ly/ykTCdu

Photo by Christopher Dibble
At first, this seems like a fun and fantastical show. Large-scale dog sculptures made from castoffs like blankets, clothes, fake fur, rags, plastic bags and leather scraps. But there is something about these big jolly pups that seem a little sad, and dark. Rob says about his own work, “they are physically and psychologically vulnerable and seem like monstrously overgrown stuffed toys, wounded stray dogs or imaginary friends - misfits whose demeanors both invite and repel.”
Other notable shows are Banks Viollette and Shio Kusaka, two different shows, both at Blum and Poe.
Banks Viollette
Photo by Christopher Dibble
Shio Kusaka
Photo by Christopher Dibble